Urban God of Rebate: Infinite Returns Of Women And Powers
Chapter 276: Darkness
He texted Max at seven fifteen.
How are you.
The reply came back in three minutes. Amara ate a full breakfast this morning and then gave me a seventeen-minute critique of the novel she finished Sunday. She’s good.
Good, said Sean. The package is thorough.
It should be, said Max. I want this to hold.
It’ll hold, said Sean. Get some rest after this.
After Monday, said Max. Not before.
Sean put his phone in his pocket.
He texted James. 9 AM. Elena Voss’s office first. Then Margaux Devlin.
James replied immediately. Car is ready sir.
============
He stopped at the café near campus on the way.
Two coffees. One for him, one for Elena, whose specific order he’d committed to memory from the three times he’d been in her office in the weeks since the Lockhart arc.
[28 dollars spent]
[Balance: $68,751,275]
[56 dollars received — 2x baseline]
[New Balance: $68,751,303]
Elena was already at her desk when he arrived at eight fifteen, which meant she’d been there considerably longer than eight fifteen. Her office had the particular morning quality of somewhere that had been worked in for at least two hours, papers in organized stacks, two windows open, her reading glasses on the desk beside a document she’d clearly just set down.
She looked at the coffee he set in front of her and then at him.
"You remembered," she said.
"I remember things," said Sean.
"I know," said Elena. "It’s one of the things about you I’ve decided to simply accept rather than examine." She picked up the coffee. "Did you read the package."
"Three times," said Sean. "Once Friday night, once Saturday, once this morning."
"And," she said.
"It’ll hold," said Sean. "If Margaux Devlin is what her conviction rate suggests she is, she’ll see that inside the first ten pages."
Elena looked at him over her coffee. "Margaux Devlin is exactly what her conviction rate suggests she is. She’s also not easy to work with. She doesn’t take direction, she doesn’t soften things, and she will tell you things about how the case is going to proceed that you won’t like even when they’re correct."
"Good," said Sean.
"You say that now," said Elena.
"I’ll say it when I’m sitting across from her too," said Sean.
Elena studied him for a moment with the evaluating attention she’d been using on him since he’d sat across her desk with a sixty-year-old document and asked her to assess it.
"The boy who filed this case is eighteen years old," she said. "And he’s spending serious money to prosecute a man who hurt someone he doesn’t even want back."
"He hurt someone," said Sean. "That’s the whole reason."
"I know," said Elena. "That’s why I called Margaux on a Friday and she picked up." She set her coffee down. "Let’s go."
—-------
Margaux Devlin’s office was on the twelfth floor of a building in the legal district that had the specific quality of somewhere that had been taking difficult cases seriously for a long time.
No decoration on the walls except a single framed photograph Sean couldn’t read from the entrance. A desk that had been used hard and still looked correct. Bookshelves with the specific organization of someone who pulled from them regularly rather than for appearance.
Margaux Devlin herself was fifty-three, white, with silver-streaked dark hair cut practically short, brown eyes that moved with the efficiency of someone who had learned to assess rooms and people simultaneously, and the particular stillness of someone who had been in enough significant rooms that significant rooms required nothing extra from her.
She looked at Sean when Elena introduced him and said nothing for a moment.
Then she said, "You’re the eighteen year old with the investment position."
"Yes," said Sean.
"I read the Sarah Okonkwo piece," she said. "Interesting situation."
"Thank you," said Sean.
"It wasn’t a compliment," she said. "I was noting that I know who you are. Sit down."
They sat.
Margaux’s assistant, a young man named Frederik with the focused professional energy of someone two years into a position he intended to stay in, brought water and then disappeared.
Margaux opened the documentation package on her desk.
She read.
Not skimming. Actually reading, the specific quality of someone who processed written material at speed without sacrificing comprehension. Her eyes moved steadily down each page. Her expression didn’t change.
She turned pages.
Sean and Elena sat and let her read.
After eleven minutes she turned to the withdrawn police report section and slowed down. She spent three minutes on those pages specifically. Then she set that section aside and read the financial documentation. Then the noise complaints.
Then she put everything down and looked at them.
"The credit fraud is clean," she said. "Two unauthorized purchases, documented trail, the account authorization was never given and the signature doesn’t match. That’s straightforward."
"Yes," said Sean.
"The noise complaints are supporting material," she said. "Not evidence on their own. But combined with the withdrawn report and the financial pattern they establish context that a jury understands." She looked at the file. "The withdrawn report is the most significant document in here."
"Because she withdrew it," said Sean.
"Because the language in the original filing is specific and detailed in the way that genuine reporting usually is and fabricated reporting usually isn’t," said Margaux. "She filed this at eleven PM. People who fabricate reports don’t file them at eleven PM after sitting with it for however many hours preceded that call."
"She was pressured into withdrawing it," said Sean.
"I believe that," said Margaux. "The question is whether we need her to say it in a courtroom."
"I told you when Elena introduced the case," said Sean. "I don’t want her to have to."
"I know what you told me," said Margaux. "I’m telling you what the case looks like at this point. The credit fraud gets us in the door with charges. The withdrawn report and the noise complaints establish a pattern that a good prosecutor can argue in front of a jury without her testimony if the defendant’s history supports it." She paused. "Does he have a history."
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