The Scumbag's Guide To Heroism
Chapter 705 | A Structural Rearrangement
Chapter 705: 705 | A Structural Rearrangement
Lukas’s hand came up and covered hers on his chest. His fingers were warm and rougher than they had been two months ago, callused from bus benches and nephew boots and forty-seven doors opened at one in the morning. The calluses dragged across her knuckles, and she felt the friction travel up her arm to a place behind her ribs that no private instructor had ever taught her to manage.
"I left," he said, in the low voice, the one that lived under his interview register and the one he used to talk Steele out of extra conditioning miles, "because the last time I stood this close to you, I couldn’t think about anything except the sound you made in that conference room. And I wasn’t going to be one more person who took something from Petra Lang before she decided to give it."
Her breath caught. Something in her chest folded, the way a building’s priorities rearrange when a load-bearing wall turns out to stand somewhere she had never marked on her floorplan. The internal architecture she had spent eighteen years constructing shifted, foundations recalculating load distribution in real time, and she could not tell if the structure was more stable now or if she had just introduced a point of failure her family’s contractors would have flagged as catastrophic.
He had said give. He had meant it. She could hear it in the way his voice dropped on the word, in the space he had left after it for her to fill or not fill as she chose.
Nobody in her life had ever waited for her to offer when they could simply take.
Petra Lang kissed Lukas Belmont.
She kissed him because he had said the word give and meant it, and because nobody in her life had ever waited for her to offer when they could simply take, and because twenty-two days was too many, and because the card on her desk held the fear of nine children and tomorrow she would turn her family’s resources on the person responsible, and tonight she needed this one stupid thing for herself. She kissed him because her hands were already on his chest and his hand was covering hers and stopping now would require pulling away, and pulling away would require a reason she could articulate, and she had no reasons left that her brain would accept as operationally sound.
His mouth was warm. He tasted like Grandma Lin’s congee, and under that like the thing she had spent eleven hours analyzing after the conference room and still could not identify, except that it made her hands shake and her brain produce French she had not authorized.
She pulled back two inches. His amber eyes were dark, darker than the lamplight explained.
"I hate you," she said.
She kissed him again. Harder this time, with the kind of forward momentum that usually preceded quarterly projections she’d decided to win. Her hands found his collar, fingers curling into the fabric and pulling him closer, and his hands found her waist, palms sliding over the silk of her camisole. The material bunched between his fingers. His hands were warm. She could feel the heat of them through the thin fabric like a brand.
She pushed forward. He sat back into her reading chair, the leather creaking under the shift in weight, and she followed without taking her mouth off his because stopping now would require a decision and decisions required thinking and thinking was not what she was doing. Her knees found the cushion on either side of his hips. Her weight settled into his lap. The motion pulled the camisole tight across her chest and sent the remaining strap sliding off her shoulder to pool at her elbow.
She felt him harden under her and hated that too. Not the feeling itself but what it confirmed. That this was real. That this was happening in material space with physical consequences and not in the version of events she’d constructed where she maintained perfect control and nobody’s pulse spiked and Lukas Belmont did not look at her the way he was looking at her right now.
Real was the only register she trusted. Real was measurements and outcomes and things you could document in triplicate. And trusting anything that involved Lukas Belmont and a reading chair at two in the morning was the most inadvisable decision in the documented history of the Lang family, which included her great-uncle’s investment in a Panamanian bridge concern in 1987.
She was going to share him.
She knew it with the flat certainty of someone who had read every available data point, cross-referenced against historical precedent, and reached a conclusion she despised with her entire operational capacity. Fitzgerald had first claim. That much was obvious from the way she’d cornered him at the gala like someone defending territory. Hardy had Tuesday nights. She’d seen them leave the library together twice now at exactly eight-fifteen. Ortega had Thursday mornings. The coffee runs were not subtle and Camille Ortega had never done a subtle thing in her life.
And Petra Lang, whose father introduced her at charity functions as the best catch in the state, was going to add her name to a list she couldn’t see. A list kept by a boy who filed raccoon reports with the campus security office and came home from the Eastside smelling of pork buns and jasmine tea and something else she still could not identify.
She would be on that list because nobody else on it could run a spectral query at two in the morning, and nobody else on it had kissed him first in a conference room and then waited twenty-two days for him to come back.
The best catch in the state. At least, that was what her father said.
His hands tightened on her waist. She rolled her hips once, testing, and the sound he made against her lips sent heat pouring down through her stomach to a place the silk shorts did nothing to insulate.
On the nightstand, twelve-year-old Petra stood between her parents in a silver frame and looked at the camera with an expression that had already decided what it wanted.
The woman on Lukas Belmont’s lap at two-thirty-nine in the morning wore the same one.
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