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The box was in the cellar under the silk warehouse, and it had no door at all.

It was a cube of black iron a head taller than a man, standing alone on the stone floor of a long, arched room, with lamps hung around it on chains. It had no hinges, no keyhole and no handle. Aren walked around it once with a lamp in his hand and couldn’t find a seam anywhere. The plates had been forged and fitted and then hammered together so hot that they had run into one another, and the whole thing had been ground smooth afterwards until it shone.

"There’s a silver crown inside," the Tally said. "Bring it out by midnight."

Osric Danner sat at a small table by the wall with an open ledger, a pen and a cup of tea. Reyna leaned against a pillar beside him with her arms folded. Along the far wall, on a bench, sat most of the Hands of Port Myrrh, and their mistress, and they had come, Aren understood, to watch him fail.

The Twins sat side by side at the near end, their fingers moving against each other’s palms. Auntie Kettle sat next to them with her feet dangling, knitting a long grey scarf, and she smiled at him every time he looked her way. At the far end, a thin grey man with ink to the elbows was drawing Aren’s face in a notebook. He didn’t look up.

"Glass," Reyna said quietly. "He’ll have your face copied by morning, whether you open it or not."

’Kaela’s drawing is on every customs wall in the north. If he’s any good, his will match it. Then I’d better be worth more to them than three thousand crowns.’

And in the middle of the bench, taking up most of it, sat Teeth, showing the iron.

"Good luck, purchased," he said, and tipped his head at the cube.

Ama, the Twin with the earring, gave Aren a small nod, almost apologetic.

Aren put the lamp down and laid both hands flat on the iron. By the bench, the Twins had slid down to the floor and crouched with their palms flat on the stone.

The iron was cold and smooth, and it hummed under his palms, as all metal did for him now. He let Iron Sense run outward through the plates. He felt the six walls, each a hand thick, and the places where they had been welded into one, and the floor plate bedded into the stone.

And inside them, he felt a hollow.

It was a man-sized space of still black air, sealed in iron. Before the ship, it would have been only the place where his sense stopped. Now he could feel its shape, as he had felt the inside of the Veil box from the cliff. It had edges, and somewhere at the bottom of it lay a small round weight that was not iron.

’Cut it from out here and they build a better one. Walk out of it, and they stop building.’

[Nullstep.]

One step, and the iron was behind him. He stood upright in a black so complete that he couldn’t see his own hand. The air was close and dead and smelled of hot metal from the forging. The walls were a hand’s width from his shoulders on every side.

He crouched, felt along the floor and found the crown.

’Good. Now the hard part.’

It was worse than the Veil box. That box had a crack of lamplight at the roof seam. This was the cistern again. No crack, no light, nothing to step to.

He tried Fault Line. He put his palm on the wall in front of him and looked for the place where it would break, the bad weld, the plate worked too hard, the line every made thing has somewhere.

There wasn’t one. The Twins had made a thing that would not break anywhere. In the dark, with his hand on it, he admired them for it.

’Fuck it. I am cutting it.’

He put the crown between his teeth and let New Moon go along his palm, flat and thin and quiet, without throwing it. It went into the iron as it had gone into the dead men on the lake, and along its edge the iron forgot that it was hard.

[New Moon.]

A curved line opened in front of him, from the floor up past his head and down again. Lamplight came in through it, and fresh air. He put his shoulder to the inside of the curve and pushed, and a slab of black iron the shape of a crescent moon fell outward onto the stone with a crash that rang through the whole cellar.

He stepped out after it, took the crown out of his teeth and put it down on the Tally’s ledger.

Nobody spoke. Auntie’s needles had stopped.

Osric Danner looked at the crown on his page. Then he dipped his pen and wrote a single word in the ledger, in his fine clerk’s hand, and turned the book around so the room could read it.

Opened.

The Twins crossed the floor together, stopped in front of Aren, and bowed. It was a short, formal bow, both at once, perfectly level. Then the woman reached out and touched the cut edge of the iron with two fingers. With her other hand she tapped against her brother’s palm, and he answered, and they both looked at Auntie.

[Ilo. Hostility: 30% → 9%.]

[Ama. Hostility: 30% → 9%.]

"Ama says ’Hush’," Auntie said, beaming. "And Ilo says it made no sound when you went in. They were listening with their hands on the floor." Her needles began to move again. "He says nothing is that quiet."

Ilo nodded once, as if that was all there was to say.

"Oh, he’s lovely! In my house, dear, the ones who matter earn a second name. The Twins have given you yours. Hush." She tried it out loud once more. "Yes. That will do."

Teeth had not moved from the bench. He was still smiling, but his lips had closed over the iron points of his teeth.

"Cut a box. Nice. Boxes don’t hit back."

"Neither do men who sit on benches."

Somebody laughed and turned it into a cough. Teeth looked at him for a heartbeat. Then he got up and walked out of the cellar.

[Teeth. Hostility: 86% → 96%.]

"I promised you a place," Auntie said. "Choose. Reyna’s crew will have you, if she’s asked nicely. The Twins would sell their mother to have you in their workshop. Osric always needs clever hands on his floor. Teeth won’t have you, so we needn’t ask him."

Aren didn’t need to think about it.

"The cellar under the fish docks."

Auntie’s needles stopped again. "Seren? My dear. She’s a Crucible, an A-grade class, the best hands the Veils ever threw away. And she never works alone, because she never has to. She’s also broken four apprentices since the spring. The last one tried to drown himself in the harbor to get away from her."

"Then she needs a fifth."

The old woman studied him with her bright eyes. Then she laughed, delighted.

"Osric, write it down. The Servant goes to the Smoke Cellar, and give him a key to it. Hush goes in our own book, and nowhere else." She went back to her knitting. "Down there he’s the Servant. Bring me what’s left of him in a week."

The Smoke Cellar was under a fish warehouse at the end of the docks, down a stair that smelled first of fish, then of salt, then of something sharp and green that made his eyes water. Kip had run ahead of him with Auntie’s word: the Servant was coming down. At the bottom was a long low room lit by the glow of three furnaces, with shelves of jars along every wall and bundles of dried plants hanging from the beams.

Half the bundles were Abyss Lilies. Aren stopped on the bottom step and looked at them. In Highcrest, one lily had been worth a man’s life. A single flower could push a death mark back for years, and he had gone down into the Abyss for twenty of them. Here they hung from the ceiling in bunches, like onions in a kitchen, drying. A crate at the foot of the stair held more, still fresh, with a line chalked on its side: Southern Rift fields. Ten to the crown.

’Ten of these in Highcrest could buy a street.’

A woman stood at the middle furnace with her back to him.

At the other two furnaces stood two more women, also with their backs to him. They had the same black hair cut at the jaw, the same apron, the same shiny burned fingertips at work. Neither of them looked round.

’Three of her, down to the burns. Only the middle one wears a band.’ He looked from one to the next. ’Auntie said she never works alone.’

The one in the middle was tall, in a leather apron over a silk shirt that had been expensive four years ago, with black hair cut straight at the jaw, roughly, by her own hand. A bronze band was on her left shoulder. On her right hand she wore a Veil signet ring with the stone torn out of it.

She didn’t turn around. "Auntie sent me a Servant." Her voice was low and cold. "A purchased one. Somebody fed you up to Rank C, pill by pill, like a goose, and now you’d like to learn how the pills are made." She dropped a pinch of grey powder into the furnace and watched it flare. "Grind that lily. The jar on your left. Fine."

He ground it. It took him a quarter of an hour, because he had watched her hands for the first minute and seen how fine she meant, and he made it finer.

She took the mortar from him without looking at it and tipped the whole lot into the slop bucket.

"Too coarse. Again."

’She didn’t even look at it. She’d have thrown it away whatever it was, to see what I’d do.’

Then she turned around. She was perhaps twenty-seven, and beautiful, in a hard way that four bad years had sharpened. Her face was pale, with high cheekbones, and her eyes were grey-green and clear, and they went over him once with complete contempt.

[Seren Veil. Rank C. Hostility: 95%.]

[Hostility threshold met.]

[Anchor slots: 3/4. One slot available.]

[Anchor this target?]

’The woman who wrote Veil Gold, grinding False Glass in a fish cellar. Last slot.’

’Yes.’

[Anchor established: Seren Veil.]

[Anchors: 4/4.]

"What are you staring at?"

"The jar on my left." Aren picked it up.

She watched him start grinding again. Then she turned back to her furnace.

"Fifth bell," she said, over her shoulder. "Every morning. If you’re late, don’t come back down those stairs."

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