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Isole had been measured so many times in her life that she had learned to recognize a building made for it.

They came over the last ridge above the Marrin a little before dawn on the second night, the three of them, and lay down in the heather to look. Below them the valley folded in on itself around a long, narrow lake the color of slate. At its northern end, on a spur of rock above the water, stood Greywater.

It had been a sanatorium once, she thought. Or an observatory, or a house for someone very rich who wanted to be very far from everyone else. It was built of the same grey stone as the hills, long and low, with a squat round tower at one end and a high wall around the whole of it. The windows on the lower floors were narrow. The windows in the tower were not windows at all, but slots.

It was the kind of building that had been designed by someone who wanted to see everything that happened inside it without anyone inside being able to see out.

She knew the feeling of such places from the inside. The assessment room at Zenith, with its single chair and its silver rod and a clerk who wrote pending beside eleven seconds of her life. The plain stone chamber where her mother had sat across a table and argued that the only witness to what Isole had become could not be trusted. In Ossara she had spent weeks proving that a measure which has never been wrong is the most dangerous kind, because no one ever thinks to ask what it fails to see. She had not needed Ossara to teach her that. She had known it since she was six.

"Pleasant," Nyx murmured.

"It looks like a prison that’s embarrassed about it," Ashe said.

Isole said nothing. She was looking at the gatehouse, where two banners hung on either side of the arch. One was plain Household black. The other was white, with a golden sunburst at its center, the rays long and fine. She had seen that sunburst over her own cradle.

The Church of the Eternal Light.

They had made the journey upriver in a night and a day, running when the ground allowed it and walking when it didn’t, because horses would have been remembered. Ashe had carried her across the Marrin at the ford without asking, because the water was waist-deep and cold enough to stop a heart, and had complained the whole way across that healers weighed more than they looked.

"It’s the books," Nyx had said, wading beside them.

"She isn’t carrying any books."

"She’s always carrying books. You just can’t see them."

Isole had laughed then, out loud, in the middle of a freezing river, and both of them had looked at her as if she had grown a second head. She thought of that now, lying in the heather, and held on to it.

"I’m going in," Nyx said. She settled her chin on her folded arms and closed her eyes. "Not all the way. Just enough to look. Tell me if I start talking to myself."

"You always talk to yourself," Ashe said.

"Tell me if I start making sense."

The Dreamscape went down the hill like mist.

Isole could not feel it the way Vane could. She felt it the way she felt weather on a wound, a faint pressure, a cooling. Beside her Nyx’s breathing slowed, and slowed again, and her face went slack and very young.

For a long time she did not speak.

"There are wards," she said at last, slowly. "Good ones. Church work, mostly. They’re built to stop anything loud from getting in. I’m not loud." A pause. "There’s a long room on the ground floor. Beds. A dormitory." Another pause. "Fourteen beds."

Isole’s hands tightened in the heather.

"Thirteen children," Nyx said. "Asleep. One bed is stripped. Mattress rolled up at the foot. Nobody in it."

Ashe made a small sound in her throat.

"Fourteen circles," Isole said quietly.

"Yes."

Nobody said what that meant. They all knew. Most of the records simply end.

"Further in," Nyx murmured. "There’s a hall at the base of the tower. Round. Empty. The floor’s inlaid." Her brow creased. "Silver. Lines of it, in rings, all running toward the center. It looks like—" She stopped. "Isole. It looks like your rod. Like the inside of your rod, laid flat."

Isole closed her eyes.

She had seen drawings of that pattern in her mother’s study when she was small, pinned to the wall above the desk with silver tacks. She had not known what it was. She had thought it was a prayer.

"It isn’t finished," Nyx went on. "There are tools on the floor. Workmen’s benches. They’re still laying the last ring." Her voice had gone very faint. "They’re not doing anything to them yet. They’re waiting."

"For what?" Ashe asked.

Nyx did not answer. Her breathing had gone ragged. Isole put a hand on her back, low between the shoulder blades, and let a thread of the light half of Samsara run into her, the way she would steady a patient who had stayed under too long.

"Come back now," she said.

Nyx came back. She opened her eyes and lay very still for a moment, and then rolled onto her side and was quietly sick in the heather.

Ashe held her hair. Nobody said anything about it.

The carriage came up the valley road at mid-morning.

They watched it from the ridge the whole way. It was white, drawn by four white horses, with outriders in the long pale coats of Church Wardens before and behind. It moved slowly and without hurry, the way things move when everything ahead of them has already been cleared. When it reached the gatehouse, the Household guards at the arch stood aside and bowed.

The carriage door opened. A woman stepped down.

She was tall and very straight, dressed in white from throat to hem, with a sash of gold across her breast. Her hair was pale and drawn back severely from her face. She stood for a moment at the foot of the carriage steps and looked up at the grey stone of Greywater with the calm, assessing patience of someone examining a patient she had already decided how to treat.

Isole did not need Nyx’s Dreamscape to know her. She did not need to see her face. She knew her by the way she held her hands, folded at the waist, the left over the right, the thumb pressing very slightly into the knuckle.

She had once watched those hands write out three broths, in order of preference, for the week before a daughter’s measurement.

"Isole?" Ashe said.

Isole found that she could not speak. She lay in the heather with the cold coming up through her coat, and both halves of Samsara were moving in her at once, light and dark, the way they had only ever moved when she was a child and frightened and alone in a house that measured her.

"Isole," Ashe said again, more gently.

"That’s my mother," Isole said.

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