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[THE MESSAGE IS ADDRESSED TO THE BLOODLINE. THE HOST QUALIFIES.]

Ren read it once, sitting in the light of a tree that had never been lit like this before; then he put his palm flat against the bark.

"Okay," he said, "I’m listening."

The blood took him as it had four times already — down and in, out of his own body and into another one, a body that was older and heavier, set in one position like a beam holding up a roof. He knew this body now; he knew the right shoulder that was pushed forward and locked. He knew the scarred knuckles, the palm flat on the stone, and the lines cut into the wall that lit up with every beat of the heart behind them. He had lived in this hand once already, in the first memory.

But something was different this time.

The man was talking.

Ren heard it from the inside, like hearing your own voice when you speak — up through the ribs before it reaches the ears. Low. Steady. A voice like someone reading a list they had written themselves and checked twice. And off to one side, in the dark, where the fourth memory had put it, the warmth was still there.

The man kept his eyes on the wall, and he spoke to the blood.

— • —

"To whoever carries my blood."

"I don’t know your name. I don’t know how long it has been. If this is reaching you, then you have made a world, and your world is old enough to hold what I put in the line. Good. That was the only lock I could build that nobody else could pick."

"My name is Aldric Valis. I am at the far end of the line, and I am not coming back. I want to say that first, plainly, so you don’t spend the rest of this hoping."

The heart beat. The lines lit. Ren felt the shoulder take the push from the other side of the wall and give nothing back.

"There is a door here. Behind it is a thing that was a sovereign once. Something hollowed it out a long time ago, and what is left is not a person anymore. It is a root. It goes into worlds and drinks them, the way a root drinks a field, and the field does not get a vote. It wants out. It wants the world I came from, which is yours. And it wants me, because I am the thing in its way. It hates me by name now. When it learns yours, it will hate that too. I’m sorry. That part is my fault, and I would do it again."

"The Valis line guards this door because a Valis is holding it. That is the whole reason. We were not chosen. I was here, and someone had to be, and I was the one who was here."

A pause. Not for effect. The push came again, longer, and the man put his weight into the stone until it passed.

"Whatever they told you about how I died — I asked them to write it. I went to the ones who keep the records and I asked to be made a dead man. A dead man’s blood is not worth hunting. I thought that would keep all of you safe."

The heart skipped. Once. The lines went dim for one beat, and then came back.

"I expect it did not work. It hates by name."

"Three things to watch for, then. A house opened this door once, for power, and the seam still remembers the shape of their hand. There is a sect that wears a serpent. And there are those who call the void a star — they will want you most, because of what you are, and they will be patient about it. Do not trust patience in a stranger."

"Now the road."

"I have left it in the line. It is blood. You have found that out by now, if you are hearing this. I set it at Seven. Below Seven you would not arrive — the line would carry the blood and lose the man, and I did not shut this door to watch my own blood die on the way to me. So do not come until you can arrive. Then come if you want to. I will not ask it of you. I am only telling you where the door is."

"One more thing about the climb, because I learned it here and nowhere else."

"I never hunted a single law after I shut this door. There was no time to hunt anything. They came to me anyway, while I held. Time most of all. Hold something long enough and Time stops being a stranger. Nobody hunts it. You outlast it."

"And I am leaving you the art I am using right now, because it is the only thing I have left that is worth leaving."

"The old name for it is Holdfast. The sea plants have one — the part that grips the rock so the tide cannot take them. Ours grips a world. You set your feet, you send your roots down through whatever you are standing on, and you refuse to be moved. Not a blow, not a pull, not a door. The first step is a stance. You will feel it in the line when I stop talking; your body will know it before you do. The whole of it is what I am doing now. You will not need the whole of it. I hope."

"I am going to stop talking, because talking costs, and everything I have is on the door."

"If you are hearing this, then I held."

"Hold yours."

— • —

The memory let go of him gently, the same as every time, setting him down in the grass like something it would need again.

Except it wouldn’t. There was nothing left in the line to show him.

[MESSAGE COMPLETE.]

[THE INHERITANCE HAS BEEN DELIVERED IN FULL.]

[NEW TECHNIQUE: HOLDFAST — BEGINNER.]

He read the last one with his feet already set. He hadn’t decided to set them. His body had done it on its own the moment the voice stopped, just as the old man said it would — heels down, weight low, and something under his boots that felt like roots going into the ground and closing their grip. A stance. The first step of an art whose last step was a man at the far end of everything, holding a door with his whole life.

He let it go, stood normally, and looked at the tree.

The light was still up. Root to crown, holding.

Halvern had said something to him once, at the end of an hour in a garden, the day the General first asked what had woken in his blood: ’Whatever your blood is saying, say it back. I’ve never met a Valis who left a letter unanswered.’

Ren put his hand back on the bark.

"Ren Valis," he said. "Your descendant. Stage Five."

He stopped there, because his throat had closed on the next part, and he waited for it to open.

"I heard all of it. I’m coming. Not yet. But I’m coming."

That was all he said. It was not all he had.

The rest sat in his mouth and stayed there — that he had lived once before, in a different body, and died, and woken up in this one. That there was a voice in this tree that only he could hear. That there were words in flat brackets that only he could read, and they had been reading him back since the day he woke. A man who had made himself a dead man so the people he loved could live quietly was a man who would have understood every single one of those things. He was the one person in two lives who would have understood them.

And he was the one person Ren could never tell.

He kept his hand on the bark a long time. The line took his words, or it didn’t; nothing came back up it. He hadn’t expected anything to.

"He never once stopped," Kaia said. Very small, and true.

"I know," Ren said. "I felt it."

The light in the tree stayed up until the sky over his sea started turning, and then, slowly, like a lamp somebody had finally given permission to rest, it came down to its normal glow.

— • —

Yueying was on the Terrace steps when he came up the hill.

She had her slate in both hands, and she hadn’t slept — he could see that from the path. It was the same place she had waited for him the morning she brought him the seal record, the archive slip few people on campus could have pulled: a realm with no name, a status, and the thing the seal was holding.

She didn’t say good morning.

"It updated," she said. "By itself. It has never done that."

She turned the slate so he could see.

The old lines were there, the same as before. Under them, in the same careful lettering, sat a new line that no one had typed.

"When?" Ren said.

"Around midnight." Yueying’s voice was level, the careful kind of level. "And it has moved once since."

Ren looked down at the line nobody had written.

STRAIN INDEX — 13 → 14.

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